Homage to Hieronymus Bosch: Eileen Cooper, Paul Gopal-Chowdhury, John Kiki, Andrea McLean, George Rowlett

Bosch with side panels shut

Garden of Earthly Delights
The Prado Museum, Madrid

(please scroll down if you wish to read about the painting
and see it with side panels open)


Garden of Earthly Delights
30 November 2001 - 12 January 2002
 

Eileen Cooper
Paul Gopal-Chowdhury
John Kiki
Andrea McLean
George Rowlett

pay homage to Hieronymus Bosch

exhibition album

about the artists

about the exhibition

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Garden of Earthly Delights by Hieronymus Bosch

Bosch with side panels opening

Garden of Earthly Delights
The Prado Museum, Madrid
Triptych; oil on panel
Side Panels 97 X 219 cms each; Middle Panel 195 X 220 cms.


Bosch was born in 1450's in s'Hertogenbosch in Holland to a family of painters by profession for several generations. He signed his work as Jheronimus Bosch refering to his native place, the woods (bosch) of the duke (hertog). He lived all his life in s'Hertogenbosch till his death in 1516.

Bosch's themes in general remain close to other 15th C. Flemish School painters, such as van Eyck and van der Weyden: saints, hermits, the Passion of Christ, Heaven & Hell, sin & punishment. His depiction of evil sipirits are a product of the Middle Age fear of witchcraft and devilry. However, his work is unique in imagination and the complexity of figures. The Garden of Earthly Delights is one of the most extraordinary and mysterious paintings in the history of art.

The left panel is the Third Day on which the Earthly Paradise was created with Adam and Eve, innocent, but surrounded by a sense of lurking evil. The middle panel describes mankind's pursuit of ultimate pleasure and their surrender to joys of the flesh. On the right panel, these fallen creatures are condemned to Hell, which, nevertheless is full of the beauty of wickedness; full of images so striking that they inspired many works of Dali.

Through his presentation of all that is human as contaminated by an evil brood and in his representation of the traditional Christian belief of afterlife judgement - implying that the price of sin is suffering on earth - Bosch stands alone as a 16th C. painter. However, his figures almost predict the movements in painting that were to come several centuries later.

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